He defines the screen as a piece of cloth stretched over a frame, the cloth used in this way composes the structure of a tent, the nomadic heir of what were the stone walls of the cave, the cave walls were the cave paintings that immortalized the experiences and ways of living of the beings of that time. In the cave walls remain the cave paintings that immortalized the experiences and ways of living of the beings of that time. However, when thinking of the tent, this relationship between the subject and the exterior becomes more immaterial and at the same time more direct, since it is possible to experience the exterior through this weave of threads that mediates between the subject and its context. The screen is then a mediating apparatus between two temporalities, between two states of things; one that observes and another that remains in a different spatio-temporal plane. The screen defined by Flusser has the capacity to contain history, memories or archives so that the individual can observe the context of his/her reality.
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