Strategies for Interviews with Constructionsight Workers (Workingtitle)
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Text Years ago I am not that old but I know it from my father we had a 100 gain We charged 200 Lira for a job of 100 Now our gain is only 25 I believe if the economy changes for the better everything will work We do not have any troubles about materials B
"Years ago, I am not that old but I know it from my father, we had a 100% gain. We charged 200 Lira for a job of 100. Now our gain is only 25%. I believe if the economy changes for the better, everything will work. We do not have any troubles about materials. But, for example, the dollar is rising, the cost is rising. You give a price for a job to a customer. You do not give the expenses of the materials, but put them on the account. You do not charge the customer in advance. Then the retail shop does not give you the price on the day you got the materials, but on the day you actually pay.
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Text 2016da eski belediye bakan milletvekilleriyle bir araya geldi ve ehrin imar plann oluturdu Yarmadada kendi babasndan kalma tarlasna konut izni verdirdi Cezaevinin orada iki denizin arasndaki yer 300 metre Yarmadaya 25000 kii daha yerleirse biz bu ehi
2016’da eski belediye başkanı, milletvekilleriyle bir araya geldi ve şehrin imar planını oluşturdu. Yarımada’da kendi babasından kalma tarlasına konut izni verdirdi. Cezaevinin orada iki denizin arasındaki yer 300 metre. Yarımadaya 25.000 kişi daha yerleşirse biz bu şehirde nasıl yaşarız, şehre nasıl giriş yaparız? Planın tamamı imar yasasına aykırı. Ve bu plandan menfaat sağlayacaklar 5 kişiyi geçmiyor. 5 kişi milyoner olacak, Sinoplular sefil olacak.
- Hale Oğuz, eylemci
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Text Construction sites temporary yet lengthyoccurrencesin urban landscape are sites of both production and performance While resting on a complex set of regulations planning and finance constructionembodies the collective consciousness in its most solid
Construction sites, temporary yet lengthy occurrences in urban landscape, are sites of both production and performance. While resting on a complex set of regulations, planning and finance, construction embodies the collective consciousness in its most solid form. Each building material - the economies of its production, flows or labour required to put it up - can be scrutinised through the lens of its political agency. At the same time, the repetitive sounds and actions inherent for construction can be seen as urban choreographies directed by the economic forces at work.