The final chapter, Summersnowglobalism, begins by defining the queer use of the aporias to utilise them as material media in a mix with existing artistic and non-artistic methods and protocols, including fermentation in food processing. Sets of rational reflection and conceptual mimesis delineate the artistic framework, process and outcome of the transmedia artwork Summersnowglobalism, including statements of material experimentation, observation of pattern, movement, texture and aesthetic experience.
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