Das Moritat/ The Ballad
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File: ZSNG.pdf
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Text: The experiences of the narrative Design (ff.) so far let us expect now, that some components of the formal data and text passages, wall chart and of the written and spoken principle, will untie, shift/morph, comment and delete themselves, by the c
The experiences of the narrative Design (ff.) so far let us expect now, that some components of the formal data and text passages, wall chart and of the written and spoken principle, will untie, shift/morph, comment and delete themselves, by the circle of participants.
Single terms and chartsegments are going to be interpretated, translated and speculated about, as well as the whole sequence. But also episodes of non-attention, incomprehension/reluctance, alienation or mockery can't be excluted or is even propable. -
Text: In addition a wall chart and its single usable components. Both - written and spoken principle and wall chart - illustrate in a compromised way the projection of the so called narrative Design or designed Narratives in Interpretation of mainly Szymi
In addition a wall chart and its single usable components. Both - written and spoken principle and wall chart - illustrate in a compromised way the projection of the so called narrative Design or designed Narratives in Interpretation of mainly Szymiczek, Danielewski, de Vries, Berghausen, Bradshaw, Castiglione and Charzinski.
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Text: The halqa is open now, also these "Guideline" is a part of it. The room of ideas between reality and grotesque will be shiftet, there is only the coercion/rule of documentation.
The halqa is open now, also these "Guideline" is a part of it. The room of ideas between reality and grotesque will be shiftet, there is only the coercion/rule of documentation.
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Text: The Halqa as (im)material legacy of humankind.
The Halqa as (im)material legacy of humankind.
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Text: The Sepurim (the story/stories) evolves in the halqa (circle of participators).
The Sepurim (the story/stories) evolves in the halqa (circle of participators).
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Text: "Das Moritat" is part of a continual experiment about narrative structures, mechanics and habits, in reality and in grotesque.
"Das Moritat" is part of a continual experiment about narrative structures, mechanics and habits, in reality and in grotesque.
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Text: The narrative design/designed narrative is dynamic, perspectively, meta(morphic), it is (im)material and unsteady. It rises and falls, it has no end, because even in its end it tells us about its loss or its inobservance.
The narrative design/designed narrative is dynamic, perspectively, meta(morphic), it is (im)material and unsteady. It rises and falls, it has no end, because even in its end it tells us about its loss or its inobservance.
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Text: What remains of an object/a circumstance? A "Moritat" is sung, it changes and resembles, it blurs and distances, till it will be heard and will (never) be sung again. The object/the circumstance turns into mythos and the mythos into an object/circum
What remains of an object/a circumstance? A "Moritat" is sung, it changes and resembles, it blurs and distances, till it will be heard and will (never) be sung again. The object/the circumstance turns into mythos and the mythos into an object/circumstance - and it'll turn to daily routine again.
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Text: Where is the line between antic/farce and an idea? Between charlatans and posthumous geniuses? Is it not the duty of rascals and harlequins to question and comment the status quo? Aren't the jesters the only instance at a court, that hold up a mirro
Where is the line between antic/farce and an idea? Between charlatans and posthumous geniuses? Is it not the duty of rascals and harlequins to question and comment the status quo? Aren't the jesters the only instance at a court, that hold up a mirror to the prevalence(d)? To motivate others to think about? Did they fail with it? Does a designed-narrative collapse exist?
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Text: Is narration just folly? Is fiction the opposite of the fact?
Is narration just folly? Is fiction the opposite of the fact?