Grids, maps and control
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Text In the essay Shelters caves and bell tents Vilem Flusser argues that tents are the nomadic heirs of the first dwellings that human beings had the caves The cave walls served as a support for image fixation through what we know as cave painting Then t
In the essay "Shelters, caves and bell tents", Vilem Flusser argues that tents are the nomadic heirs of the first dwellings that human beings had; the caves. The cave walls served as a support for image fixation through what we know as cave painting. Then the wall of the tent, by analogy to its predecessor, would also have these characteristics of containing information. Therefore, he proposes that screens, as a broader concept, have a memory condition.
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Text and then how a type of memory is represented that is not consensual and that represents a multilayered problem in Chilean society
and then, how a type of memory is represented that is not consensual and that represents a multi-layered problem in (Chilean) society.
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Text Visualize the illkunAnger explores the limits of the technical devices of memory through a subjective archival exercise What is the screen object and what are its relations with the information HOW THE screen BECOMES A MEMORY DEVICE
Visualize the illkun/Anger explores the limits of the technical devices of memory, through a subjective archival exercise. What is the screen object and what are its relations with the information? HOW THE screen BECOMES A MEMORY DEVICE?
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Text How the information is representedshownWhat memory
How the information is represented/shown?
What memory?
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Text If the screensgrid object has a memory condition what type of information could storage
If the screens-grid object has a memory condition, what type of information could storage?
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Text For something to materialize in the world it needs a support to be apprehended and this support changes the way of perceiving the environment by the influence that entails the creation of new conditions of temporality and spatial structure The suppor
For something to materialize in the world, it needs a support to be apprehended and this support changes the way of perceiving the environment by the influence that entails the creation of new conditions of temporality and spatial structure. The support is the materialization of thought. For example, an electronic screen is a technical device that allows us to look through a series of electronic configurations, files, images or text information of some kind that once materialized in this support (the electronic screen).
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Text He defines the screen as a piece of cloth stretched over a frame the cloth used in this way composes the structure of a tent the nomadic heir of what were the stone walls of the cave the cave walls were the cave paintings that immortalized the experi
He defines the screen as a piece of cloth stretched over a frame, the cloth used in this way composes the structure of a tent, the nomadic heir of what were the stone walls of the cave, the cave walls were the cave paintings that immortalized the experiences and ways of living of the beings of that time. In the cave walls remain the cave paintings that immortalized the experiences and ways of living of the beings of that time.
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Text Regarding tents Flusser often used the concept metaphorically to refer to our constructed realities or cultural frameworks He suggests that human existence is characterized by a tension between the nomadic tentlike structures of our cultural and soci
Regarding tents, Flusser often used the concept metaphorically to refer to our constructed realities or cultural frameworks. He suggests that human existence is characterized by a tension between the nomadic, tent-like structures of our cultural and social constructions and the potential for freedom and creativity beyond these structures.
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Text Flusser in his text Screens Umbrellas and Tents 2002 describes screens from the point of view of their function as a fabric wall in tents According to Flusser screens are structured by an interweaving that opens to the wind that stores experiences an
Flusser, in his text Screens, Umbrellas and Tents (2002) describes screens from the point of view of their function as a fabric wall in tents. According to Flusser, screens are structured by an interweaving that opens to the wind, that stores experiences and that throughout the cultural history of mankind has taken shape in tapestries, looms, cinematographic films, on television and only now, finally, takes an immaterial form in computer screens. Screens, in Flusser's view, play a central role in contemporary society.
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Text It is no surprise to say that screens are devices that are present in our daily lives and for a couple of years have been a fundamental part of our work and entertainment As we understand them in contemporary times they are electronic devices that di
It is no surprise to say that screens are devices that are present in our daily lives and for a couple of years have been a fundamental part of our work and entertainment. As we understand them in contemporary times, they are electronic devices that display digitally processed information and are present in computers, phones or tablets.