Today, one can discuss how the concept of the archive and archival practices have significantly expanded and transformed over the past decades. Working on my project Tracing Resistance, I am trying to create, from the repurposed materials of my old and new works, a mobile archive, that could be thought of “not as something static, a container of knowledge, but a set of materials that would talk to one another and could constantly be re-animated and put into the parallel conversation to produce new meaning and relationships.” (2) In other words, by reconstructing existing materials and montage it becomes a living archive that is open to transformations over time.
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