Version 3
-
-
Image: DDA_Mi-vH_COMPONENT 1_NODE_2_Seite_13_Bild_0002.jpg
-
Image: DDA_Mi-vH_COMPONENT 1_NODE_2_Seite_13_Bild_0001.jpg
-
Image: DDA_Mi-vH_COMPONENT 1_NODE_2_Seite_12_Bild_0001.jpg
-
Image: DDA_Mi-vH_COMPONENT 1_NODE_2_Seite_11_Bild_0001.jpg
-
Image: DDA_BILD_TEXT_MANUS_Seite_1_Bild_0020.jpg
-
Image: DDA_BILD_TEXT_MANUS_Seite_1_Bild_0019.jpg
-
Image: DDA_BILD_TEXT_MANUS_Seite_1_Bild_0018.jpg
-
Text: This exercise uses the Shoulder Shell in combination with the Hip Expander to demonstrate how a new silhouet-te can be draped from one piece of muslin. Note that there are only dartsto mold the fabric to the dress form. It is one pattern piece. The
This exercise uses the Shoulder Shell in combination with the Hip Expander to demonstrate how a new silhouet-
te can be draped from one piece of muslin. Note that there are only darts -
Text:
-
Text:
-
Text:
-
Text: A mid-1960s version made out of mul- tiple layers of black fusible interfacing, bias to straight grains. To prepare the Hip Expander, use black or white ma- terial. After all sections for a complete Hip Expander have been cut, put small grommets whe
A mid-1960s version made out of mul- tiple layers of black fusible interfacing, bias to straight grains. To prepare the Hip Expander, use black or white ma- terial. After all sections for a complete Hip Expander have been cut, put small grommets where the waistline and vertical seamlines intersect on each side of a section. To complete it, join the sections with envelope pins.
-
Text:
-
Text: The Hip Expander, flat at the front and sides, with an extended back and lowe- red front waist to create a late 19th-cen- tury bustle effect. The Hip Expander is flexible, making it possible to create many different sha- pes and even more silhouette
The Hip Expander, flat at the front and sides, with an extended back and lowe- red front waist to create a late 19th-cen- tury bustle effect.
The Hip Expander is flexible, making it possible to create many different sha- pes and even more silhouettes. Here, we show a 19th-century bustle shape, favored by Charles James.