I create a picture. At the front of the picture I draw speculative history, a re-figuring of an origin story. The diagram of a dialogue. A paradox. A belief crisis. Far in the background, I paint a circular city on an island over a swampy ditch in the middle of the city of Atil. The city's outskirts extend almost to the edges of the picture, separated from it by a thin stroke of desert. I establish myself in the right dimensions. I go into it.
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