In 3 Standard Stoppages, Duchamp had explored the possibility of adjusting the metric standard through a random procedure. In this large canvas he complicated that idea, multiplying the curves of the fallen threads from 3 Standard Stoppages by reproducing each one three times and positioning them in a diagrammatic arrangement. He also made the work by painting over the images on a canvas he had already used, those images being a female figure and a schematic, quasimechani- cal drawing of his ongoing project The Large Glass. The visible and semivi- sible layers of Network of Stoppages seem to contrast three representational systems: traditional figuration, chance operations, and the diagram, which maps the world without picturing it.
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