interpretenkammer/room for interpretation
Created on
Sun, 06/02/2019 - 16:46
Changed on
Thu, 10/10/2019 - 15:05
DOI
10.26017/tda-52
Context
More about the Work
https://raphaelsbrzesny.com/WABE-1
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interpretenkammerroom-for-interpretation
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Text: CREDITS:Fotos aus verschiedenen Seminaren und Projekten u.a.:Karneval der NervösenSeminar Von zweiten Körpern und den Erhebungen des Krampforchesters Wintersemester 2018/2019, Hochschule für Künste BremenInterpretenkammer (Ort: 3.12090) / Prof.
CREDITS:
Fotos aus verschiedenen Seminaren und Projekten u.a.:
Karneval der Nervösen
Seminar Von zweiten Körpern und den Erhebungen des Krampforchesters Wintersemester 2018/2019, Hochschule für Künste Bremen
Interpretenkammer (Ort: 3.12090) / Prof. Raphael Sbrzesny Professur für Kreation und Interpretation (Sound, Performance und Konzept)
Teilnehmer: Hannah Huber, Carla Warneboldt, Lukas Kern, Malte Heitmüller, Simon Krüger, Linda Ellen Tessloff, Julian Rathke, Robert Lenk, Thomas Keiser, Marcel Naumann, Bianca Wangermann, Vincent Basse, Finn Klammer, Le Wang, Ole Prietz, Annalouise Falk, Tommy Fields, Vivian Hernandez Ramirez, Isabelle Raphaelis, Icaro Lopez de Mesa Moyano, Alma Stoye, Emilia Durka, Bonnie Wenzke, Leon Sahiti
Fotos: Verena Gilhaus, Malte Heitmüller, Raphael Sbrzesny, Lukas Klose
Video: Malte Heitmüller
Technische Realisierung Waben: Lucas Schmidt
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Honeycomb of flesh and silk
Text: As a statement, as a call that could become a chant. Is here something open? Can something be shared? A Chorus of nervous throats chime. Can something be rewritten, then started differently? In a honeycomb of flesh and silk?
As a statement, as a call that could become a chant. Is here something open? Can something be shared? A Chorus of nervous throats chime. Can something be rewritten, then started differently? In a honeycomb of flesh and silk?
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Text: Ready to let someone in, ready to give someone a stage, ready to be unready, ready for a subject in transit, for a state of tension that does not want to end, after the second and third Masters, after lifelong learning, not leading anywhere other th
Ready to let someone in, ready to give someone a stage, ready to be unready, ready for a subject in transit, for a state of tension that does not want to end, after the second and third Masters, after lifelong learning, not leading anywhere other than in-between two deaths. Yet, drawing a place, marking.
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Text: In October 2018 and in January 2019, two UFOs landed in the Gymnasium in Dechanastrasse and in the Speicher im Hafen, the two locations of the University of the Arts Bremen. More precisely: two platforms, acting as stages, open on all sides, and con
In October 2018 and in January 2019, two UFOs landed in the Gymnasium in Dechanastrasse and in the Speicher im Hafen, the two locations of the University of the Arts Bremen. More precisely: two platforms, acting as stages, open on all sides, and concealing something at the same time. A shiny curtain made of pink fabric, ready to be pushed aside to enter, or to stand as a body of silk in the hallway and classroom.
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Text: If the original ‚Notgemeinschaft’ (collective in need or assembly of distress) in teaching becomes a peer group and therefore an easily addressable group of consumers, would not the need of the individual as rift enable a new narrative within th
If the original ‚Notgemeinschaft’ (collective in need or assembly of distress) in teaching becomes a peer group and therefore an easily addressable group of consumers, would not the need of the individual as rift enable a new narrative within the university?
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Text: If the phantasm of critical art production is an idea of the collective, couldn't a wild, soft, loving form of individuation be subversive?
If the phantasm of critical art production is an idea of the collective, couldn't a wild, soft, loving form of individuation be subversive?
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